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"You get what you pay for," promised the original ads for this
comedy. It probably wasn't meant to refer to the film itself, a budget-minded
production from the Judd Apatow comedy assembly line, but it makes for an
appropriate thumbnail review. Owen Wilson is the title character, a
self-proclaimed Army special forces veteran (he's actually a deserter) hired by
a trio of high school freshmen (Nate Hartley, Troy Gentile and David Dorfman) as
a low-rent bodyguard. His job is to protect them from a borderline sociopathic
bully (Alex Frost) and his partner in torment (Josh Peck). Then, after fleecing
the hapless nerds for all he can, he inevitably rises to his responsibility,
posing as a substitute teacher to watch over his charges. "A junior-league
'Superbad' with an aftertaste of 'The Pacifier,' 'Drillbit Taylor' is a just
passable pubescent comedy with a modest laugh count by Apatow factory
standards," writes Variety critic Todd McCarthy. Wilson largely carries this
lazy high school comedy with his laid-back intensity and amiable show of
confidence, and Leslie Mann holds her own just fine in her brief scenes with
Wilson. Danny McBride co-stars as a fellow panhandler who tries to muscle in on
Drillbit's scam. Available in both the original PG-13 theatrical cut and
an "Extended Survival Edition" that runs seven minutes longer. Both feature
equally meandering, laid-back commentary by director Steven Brill, co-writer
Kristofor Brown and the three young stars, who each wander in to briefly discuss
their characters and their scenes; a 12-minute, audio-only phone conversation
between Brown and co-writer Seth Rogen (illustrated with production stills),
which is both livelier and funnier; the usual deleted and extended scenes; a
"Line-o-Rama" montage of alternate improvised lines; and a gag reel. The
"Extended Survival Edition" also includes a handful of bite-sized featurettes
that are less documentaries than distractions -- entertaining enough snapshots
of fun on the set without much insight.
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| My Blueberry Nights |
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The English language debut of Hong Kong filmmaker Wong Kar Wai
("In the Mood for Love") is a road film starring Norah Jones (in her film debut)
as a spurned lover traveling through a movie-made America of damaged loves,
broken romances and wounded hearts. The script, co-written by Wong and American
crime novelist Lawrence Block, is more a suggestion of stories than actual
drama, always threatening to dissolve in the woozy, color-saturated images, but
the sensuous texture and rich atmosphere holds it together. This is a movie
about moments captured in time, about the sensuality of image, about the
overwhelming emotional assault of loving and living. Jones may not be a great
actress, but her face, all doe eyes, lush lips and melancholy yearning, is the
most expressive landscape in Wong's movie-fantasy recreation of America. Jude
Law plays a New York diner cook who offers Jones a sympathetic ear and a slice
of pie, and Rachel Weisz, David Strathairn and Natalie Portman co-star. Includes
the featurette "Making My Blueberry Nights" and an 18-minute "Q&A With
Director Wong Kar Wai" (shot at the Museum of the Moving Image in 2008).
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| Sex and Death 101 |
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"Heathers" writer Daniel Waters dives back into black comedy
with this odd tale of a handsome New York executive (Simon Baker) whose happy
life and impending marriage are turned upside down when he gets an e-mail with
the name of every woman he's ever had sex with. The problem is that it continues
on to list every woman he will have sex with, and it's a long list. It's a
strange comedy with an interesting premise (his fated sex binge becomes a curse
he can't escape and a chore that loses all pleasure) and a weird subplot about a
serial killer (Winona Ryder) who hunts men guilty of sex crimes against women.
Robert Wisdom and Patton Oswalt appear in comic interludes as the technicians of
the celestial computer that sent out the fateful list, and Leslie Bibb and Mindy
Cohn co-star. Features commentary by writer/director Waters and the making-of
featurette "101 Perversions" (and if that's not a title guaranteed to attract
supplement browsers, I don't know what is).
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| City of Men |
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The men of "City of Men," a big-screen continuation of the TV
series spin-off of Fernando Meirelles' Brazilian crime epic "City of God," are
two 17-year-old best friends (Douglas Silva and Darlan Cunha) from fatherless
homes in the violent slums of Rio de Janeiro. As one searches for the father he
never knew, the other is forced to take responsibility for his own son. But,
when a rival drug dealer targets them, both have to go on the run. Produced by
Meirelles and directed by his longtime collaborator, Paulo Morelli, it's another
vivid look at the doomed lives and limited options of youth in a world where
drug dealers rule their neighborhoods like junior warlords. Includes the
featurette "Building a City of Men."
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| Sunflower |
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Zhang Yang's family drama charts three decades in the troubled
relationship between an overbearing father (Sun Haiying, playing a once gifted
painter who returns from a labor camp unable to paint), the rebellious son (Gao
Ge) he pushes to fulfill his own dreams, and the wife and mother (Joan Chen)
caught between them. The family portrait also becomes a survey of the changing
social and physical landscape of Beijing, from the waning days of the cultural
revolution to the modernity of the present. Includes the featurette "The Making
of Sunflower."
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In addition to his regular contributions to MSN Movies, Sean Axmaker is a
film critic for the Seattle Post-Intelligencer and a DVD columnist for MSN
Entertainment. He is also a contributing writer for GreenCine.com, Turner
Classic Movies Online and Asian Cult Cinema, among other publications.
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Get Smart! Please!In honor of bumbling Maxwell
Smart, a brief history of our favorite clueless detectives On the RocksWith 'Iron Man' and 'Hancock' featuring
heavy-drinking protagonists, we reflect on the most memorable drunks in movie
history UnclassicsThough they may be listed among the
greatest films of all time, these 10 movies deserve to be
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